Filtering by: PAST EXHIBITIONS

John James Pron: ROMAN Remix: Repurposing Sacred Spaces
Sep
29
to Oct 31

John James Pron: ROMAN Remix: Repurposing Sacred Spaces

September 29 - October 31, 2010

First Friday: October 1, 5 - 9 pm

Artist Reception: Friday, October 8, 5 - 9 pm

John James Pron creates prismacolor renderings, collages, and bas reliefs that reinterpret traditional Christian church typologies in a world in which churchgoing is on the decline and in which these buildings are threatened.  Using six Roman churches, he has designed new uses for an increasingly diverse, global and secular world.

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Redux : A Group Exhibition by The Light Room
Aug
4
to Aug 29

Redux : A Group Exhibition by The Light Room

August 4 - August 29, 2011

First Friday: August 4, 5 - 9 PM

Artist Reception: Sunday, August 8, 2 - 5 PM

http://www.thelightroom.org

Exhibiting artists: 

MARY ANNE BRODERICK-PAKENHAM • RONALD CORBIN • JOSHUA MAROWITZ • RANJOO PRASAD • TONY ROCCO • THOMAS SHEEDER JR • HARVEY STERN • AL WACHLIN JR • SEAN WHOLEY

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Michael Dalton II: Building Violence
Jun
30
to Aug 1

Michael Dalton II: Building Violence

June 30 - August 4, 2010

First Friday: July 2, 5 - 9 pm

"I believe we are that we are defined by our ability to adapt to change and our swiftness to evolve. Our consciousness is our defense mechanism. It’s the claws and fangs we lack among the animal kingdom.

But our Jungle is a concrete one, not with vines and tree trunks, but with cables and rebar." - Michael Dalton II

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Jacqueline Unanue: Labyrinths
Mar
3
to Mar 28

Jacqueline Unanue: Labyrinths

March 3 - March 28, 2010

First Friday: March 5, 5 - 9 pm

The Labyrinths series originated in spontaneously done ink drawings. I used parts of these drawings to create the pathways of the labyrinths. For me, they are roads that can lead to my native Chilean landscape and to my people. On some of the canvases, along the borders of these routes, I wrote my thoughts and feelings about my search. In doing so, I am trying to make my imaginary journey actually happen, just as those who made prehistoric rock art used paintings and engravings to reach or obtain what they desired. On some canvasses, I paint with soil from Chile, which “certifies” the reality of my destination.  At the same time, I am using the soil as a magical substance whose power can turn my imaginary journey into a real one.

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